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在影像资讯高度发达的西方社会,当代摄影一直占据着艺术表现领域的重要位置,人们可以在许多美术馆或画廊找到自己喜欢的大师级摄影作品,这直接熏陶了社会民众的影像文化的自觉意识,推动了新影像艺术的产生。由于历史的原因,中国当代摄影艺术的多元发展才是近十几年的事,而现在大量国外当代影像资讯的涌入,正好满足了人们膨胀的影像文化占有欲,而满足影像艺术研究者的视野渴求正是编著《摄影馆》系列研究丛书的宗旨。《摄影馆》系列将理论梳理与影像作品穿插共生,较为完整地剖析了活跃于当代艺术领域且拥有广泛影响的多位国际影像大家,通过立体理论的构成给中国读者提供了研究与借鉴的新视
In the western society with highly developed imaging information, contemporary photography has occupied an important position in the field of artistic expression. People can find their favorite master photography in many galleries or galleries, which directly influences the consciousness of the image culture of the social people , Has promoted the new video art. Due to historical reasons, the multi-dimensional development of Chinese contemporary photography is only a matter of more than a dozen years. Nowadays, the influx of a large number of foreign contemporary images and information precisely meets the aspirational aspiration of image culture and satisfies the needs of researchers in video art Thirst for vision is the purpose of compiling series of books on Photography. The “Photogallery” series combs the theory with the interwoven interplay of video works, analyzes more thoroughly the many international videos that have an extensive influence in the field of contemporary art, and provides the Chinese readers with new research and reference through the composition of stereoscopic theory Visual