在文艺复兴时期的背景下,达·芬奇继承了亚里士多德和阿尔伯蒂等人的美学观,又将解剖学、色彩学及透视学等发展到一定高度,他在唯物主义兼具经验主义的基础上,将绘画理论与实践相结合,对绘画的性质和美学特征作出了深刻的论述。本文论证了达·芬奇美学思想的哲学基础,着重分析了他“镜子说”的审美意义。 In the Renaissance context, Leonardo da Vinci inherited the aesthetics of Aristotle and Alberti and others, but also to the development of anatomy, color science and perspective to a certain height, his materialism and On the basis of empiricism, the theory and practice of painting are combined to make a profound exposition of the nature of painting and the characteristics of aesthetics. This article argues the philosophical foundation of Leonardo da Vinci’s aesthetic thoughts, and focuses on the aesthetic significance of his “mirror theory.”