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夏洛蒂·勃朗特在《简.爱》中,塑造了一个充满反抗精神的女主人公简·爱,在她之后的美国剧作家莉莲.海尔曼在戏剧《小狐狸》里则塑造了一个凶狠恶毒,机智勇敢的丽贾娜,她为了操纵控制男性与金钱地位,在男性主宰的社会和家庭中进行着不屈不挠的斗争,这两部作品的女主人公都具有女性的主体意识,并且为取得与男性同等的地位而敢于抗争,但《简·爱》在彰显女性主体意识的同时,又在一定程度上是露出受到男权话语操控的痕迹;而《小狐狸》则颠覆了男权社会的一切秩序。可以说《小狐狸》中的丽贾娜的女性意识已经由主体意识上升到了社会意识。
In Jane Eyre, Charlotte Bronte shaped a heroine Jane Eyre full of resistance, after her American dramatist Lillian Hellman in the play Little Fox A vicious, witty and brave Regina, in order to manipulate and control men’s and women’s money, her indomitable struggle in the masculine society and family, the heroines of both works have a female subjective consciousness and are However, while “Jane Eyre” shows the awareness of the female subject, it also reveals to some extent traces of patriarchal manipulation; “Little Fox” subverts the patriarchal society All in all order. It can be said that Regina’s female consciousness in “Little Fox” has risen from the subjective consciousness to the social consciousness.