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无论是出于理论与实践还是出于历史和现实的客观需要,当下许多学者对20世纪中国现代美术的性质、身份、形态和价值尝试着重新判定和阐释,并以此将中国现代性的历史看成是多元的现代性文化方案和具有独特现代品质的制度模式不断发展、建构和重构的过程。当然,在这一过程中,西方强势文化作为这个互相关联的、世界性巨变的原发推动力,对中国美术的现代转型产
No matter out of theory and practice or out of the objective need of history and reality, many contemporary scholars try to re-judge and interpret the nature, identity, shape and value of the Chinese modern art in the 20th century and use it to abstract the history of Chinese modernity It is regarded as a process of continuous development, construction and reconstruction of a pluralistic modernity cultural program and a system model with unique modern quality. Of course, during this process, the Western strong culture, as the primary driving force of this inter-related and world-wide change, has a profound impact on the modern transformation of Chinese fine arts