1937年抗战全面爆发,野夫、金逢孙、林夫、张明曹等浙江籍青年木刻家,由上海回到家乡浙南地区,以此为起点,开辟出极具活力的东南木刻阵地。这批参加东南木刻运动的艺术家,以木刻为武器进行抗战宣传,推动了战时木刻运动的发展。他们在人员培养、木刻物资供给、木刻的传播与宣传、民众教育等方面取得了卓越成绩,是抗战文化运动重要的组成部分。然而,这一段历史却由于客观材料限制一直不能得到有效的彰显。本文试图通过对东南木刻运动主要参与者、组织者野夫的研究,丰富人们对这一美术活动的认识。 In 1937, the war broke out in full swing. The young husband, Jin Fansun, Lin Fu, Zhang Ming Cao and other Zhejiang-born young woodcutters returned to their hometown of southern Zhejiang province from Shanghai. Using this as a starting point, they opened up a very dynamic southeast woodcut position. These artists who took part in the southeast woodcut movement used woodcut as their weapon to propagandize the war of resistance against Japan and promoted the development of wartime woodcut movement. They have made outstanding achievements in personnel training, supply of woodcut materials, dissemination and publicity of woodcut, public education and so on. They are an important part of the anti-Japanese cultural movement. However, this period of history has not been effectively demonstrated due to objective material constraints. This paper attempts to enrich people’s understanding of this fine art activity through the research on the key players and organizers of the southeast woodcut movement.