论文部分内容阅读
中兴四大家之一的范成大诗文中涉及杜诗资料不多,接受杜诗主要有两个视角,一是化用杜诗或用杜甫典故,补足诗意,表达情感。一是在诗文中解释杜诗,展示学者型文人的博学。整体而言,范成大接受杜诗,停留在了杜诗点滴意趣的浅层,难见深入的接受和继承痕迹。这和宋初以来馆阁文人不完全认同杜诗的诗学潮流紧密相关。范成大是这股诗学潮流中的重要一环。此外,范成大怀抱的是摒弃江西,自成一家的诗学追求,故对江西诗祖杜甫刻意保持了距离。范成大的杜诗接受,可以说是南宋诗歌转型期杜诗接受的一个典型案例。
Fan Chengda, one of the four members of ZTE, did not have much information on Du Fu’s poetry. There are mainly two perspectives on Du Fu’s poetry reception. One is to use Du Fu’s poems or use Du Fu’s allusions to make up poetry and express emotions. One is to explain Du Fu in poetry and demonstrate the learned knowledge of scholar. Overall, Fan Chengda accepted Du Fu’s poetry and stayed in the shallow layers of Du Fu’s bit of fun. It is difficult to see the deep acceptance and inheritance of traces. It is not entirely consistent with the poetic trend of Du Fu since the early Song Dynasty. Fan Chengda is an important part of this poetic trend. In addition, Fan Chengda embraced Jiangxi as a poetic pursuit of his own, so he deliberately kept his distance from Du Fu, a poet in Jiangxi. Fan Chengda Du Fu accepted, can be said to be a typical case accepted by Du Fu in the transitional period of Southern Song poetry.