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作为女性主义电影的典型代表,《末路狂花》以公路片的形式展现了男性与女性之间不可调和的矛盾,颠覆了电影中传统的女性形象,再次掀起了好莱坞女性主义电影的狂潮。影片展示了两个原本符合传统男权理念的现代女性在反抗男权歧视和压迫的过程中所呈现的蜕变;两位女主角最终如飞蛾扑火般实现了对自由和自我的追求。《末路狂花》体现了浓厚的女性主义思想,影片不仅引起了热议,更成为了现代女权主义的经典影片,同时也再次掀起了好莱坞女性主义电影的狂潮。
As a typical representative of the feminist movies, “The Endless Splendor” shows the irreconcilable contradiction between men and women in the form of highway film, subverts the traditional female image in the movie, and once again sets off a frenzy of Hollywood feminist movies. The film shows the transformation of two modern women who originally met the traditional concept of patriarchal power in the process of countering the discrimination and oppression of patriarchal men. The two actresses finally achieved their freedom and self-pursuit as the moths fought. “The End of the Road” embodies the strong feminism, not only caused the film hot, but also become a classic film of modern feminism, but also once again set off a frenzy of Hollywood feminist movies.