自常州市美术家协会学术委员会与《民族美术》杂志携手开展对“常州画派”进行学术梳理以来,已就常州画派的历史源流、美学特质、人文精神及当下意义等话题展开了富有系统和实效的讨论,且获得了广泛关注。客观地讲,业已为中国美术史所承载了的“常州画派”无论从历史定位、学理考据还是文脉传承上,其存在的事实、地位与价值都是毋庸置疑的。本着“古为今用”的文艺方针和“借古开今”的创作方法来看,其 Since the academic committee of Changzhou Association of Artists and “National Art Magazine” have carried out the academic combing of the “Changzhou School of Painting,” we have started the discussion on the historical origins, aesthetic characteristics, humanistic spirit and current significance of the Changzhou School of Painting Systematic and effective discussion, and received widespread attention. Objectively speaking, the “Changzhou School of Painting”, which has been carried by the history of fine arts in China, no doubt has its existence, status and value in terms of historical positioning, academic test or heritage. In the “ancient to modern use ” literary approach and “borrow the ancient open today ” creative method, its