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“小报文学”与晚清暴露和狭邪文学、民国鸳鸯蝴蝶派文学和海派通俗文学有着千丝万缕的关系。小报文学经历了三个阶段,渐渐失去残存的士大夫文化的雅致,大众文化的品质越来越显著。评价小报文学时,既要注重它作为文学本体的艺术价值,同时兼顾市民大众文学的性征。小报在新文学的压力下,无论是语言运用,还是叙事行文都采取新旧调和的姿态。小型化文体的场面集中与共时态的结构方式,为小报所负载的媒体功能提供了绝大的可能。
Tabloid literature is inextricably linked to the late Qing dynasty’s exposure and narrow evil literature, the literature of the Mandarin Duck and Butterfly School and the popular literature of Shanghai. Tabloid literature has gone through three stages, gradually losing the culture of the surviving scholarly culture, the quality of popular culture is more and more significant. When evaluating the tabloid literature, it is necessary to pay attention to its artistic value as the literary ontology, taking into account the sexual characteristics of the public literature. In the tabloids under the pressure of new literature, both the use of language and narrative language are taken to reconcile the old and new gestures. The scene of miniaturization of style and the structure of general synchronicity provide the vast possibilities for the media functions carried by tabloids.