在钢琴演奏实践中，有一种相当普遍的现象，就是以脱离肖邦整个创作的抽象的方式来对待和演奏他的练习曲。想反对这一现象的愿望是我着手来做肖邦练习曲诠释这个题目的主要动力。在音乐学校的教学过程中，大都看重练习曲的那些有助于改善双手灵活程度的长处，把练习曲主要当作? In the practice of piano, there is a quite common phenomenon, that is, his practice song is treated and played in an abstract way that divorces Chopin from the whole creation. The desire to oppose this phenomenon was the main motivation for me to proceed with the Chopin Etude interpretation of this subject. In the process of teaching a music school, most of them emphasize the merits of those practices that help to improve the flexibility of both hands, the practice as the main?