本文回顾了动画纪录片的历史,包括这种形式本身,并梳理了前人对它的研究,提出了一种思考动画纪录片的新方式。作者指出,通过这种方式来思考动画纪录片,也通过讨论之前实景拍摄的纪录片所可以回避的主观性问题,我们可以看到动画是怎样扩大和深化了纪录片的认识论。 This article reviews the history of animated documentary films, including the form itself, as well as its predecessors’ research on it, and proposes a new way of thinking about animated documentaries. The author points out that by thinking of animated documentaries in this way, we can also see how animations expand and deepen the epistemological epistemology by discussing the subjective issues that can be avoided by the documentary shot before the filming.