埃克伯特·法阿斯的《美学谱系学》在尼采的框架内,将美定义为人类自我保存的功利性实践和源自动物感性的生理学范畴,以“身体”作为准绳,重新解读柏拉图以来西方美学推崇精神而贬低身体经验的历史,重访湮没在浩瀚论著中的西方美学对身体审美经验的思考与论说,揭橥了西方美学中长期被遮蔽的另一隐性传统——生理学美学。在借鉴了当代新达尔文主义认知科学的基础上,提出了一种强调身体和物质性的进化论美学,以矫正西方美学独尊精神的不平衡现状。 Within the framework of Nietzsche, Ephbert Fazer’s Aesthetics Pedigree defines beauty as the utilitarian practice of human self-preservation and the category of physiology that derives from animal sensibility. With “body” as the criterion, Interpretation of Plato since the western aesthetic respected the spirit of belittling the history of the body experience, revisit the vastness of the annals of the Western aesthetics of the body aesthetic experience of thinking and argument, revealing Western aesthetics has long been obscured another hidden tradition - Physiology aesthetics. On the basis of drawing lessons from the contemporary neo-Darwinian cognitive science, this paper proposes an evolutionary aesthetics that emphasizes body and materiality to correct the unbalanced status quo in the spirit of Western aesthetics alone.