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随着器乐独奏艺术的发展,器乐的表现力与可知性问题、器乐审美感受的特殊性问题、每一乐器的特性问题等等日益引起人们的思考。其结果,一方面直接表现为《韩诗外传》、《说苑·善说》,尤其是《淮南子·齐俗训》等的理论探讨,一方面则间接表现为西汉王褒《洞箫赋》、枚乘《笙赋》、东汉刘玄《簧赋》、傅毅《舞赋》与
With the development of instrumental solo art, the expressiveness and understandability of instrumental music, the particularity of instrumental aesthetic feeling, the characteristics of each musical instrument, and so on, arouse people’s thinking more and more. As a result, on the one hand, it directly expresses the theoretical discussion of “The Legend of Han Poetry”, “The Theory of Saying Good,” and “Huai Nan Zi Qi Xing Xun”, on the one hand, , Mei Sheng “Sheng Fu”, the Eastern Han Dynasty Liu Xuan “Fu”, Fu Yi “Dance Fu” and