陶渊明平淡如水的诗风深得儒家中正平和之妙,而与别人不同的是,这种冲淡平和之美源自于内心真实的体悟而非逼于无奈的自我安慰。这种古朴平淡所内蕴的,并不是一无波澜,如老庄入定般无悲无喜的情感,而是既怒且喜的汹涌情感在儒释道调和下所达到的深刻情感境界,这种境界不但没有抛却人性,反而饱含着人性的色彩。我们从他如道家常的诗句中能够体会到深深的喜,深深的悲。 Tao Yuanming’s dull and poetic poem won the Confucian Zhongzheng peace, but unlike others, this kind of diluted peace comes from the true understanding of the heart instead of forcing selfless helplessness. Implicit in this rustic plain is not without waves, such as Lao-Zhuang into the set as no sad and no emotions, but both rage and joy surging emotions in Confucianism, Buddhism and Taoism to reconcile the profound emotional realm, this Realm not only failed to abandon human nature, but full of human color. We can feel deep joy and deep sorrow from the poem of his ordinary family.