俞晓群先生在总结其编辑经验的著作《精细集》中谈道:“编书不要过于追求形式上的整齐划一,要搞‘菜篮子工程’,各种菜都要有,在无序和杂乱中体现出某种精神;也不要过于追求主流,正像主食和副食一样,桌面上主食管温饱,副食管‘繁荣’。”我想,即使是对杂志的编辑,此言真谛,庶几近之。具体到本期而言,“菜篮子工程”可谓践行得很到位:从文体方面而言,有对以山西为代表的纪实文学的讨论,也有对梁衡散文创作个案的分析,进而对近几年来散文界之乱象 Mr. Yu Xiaoqun talked about the book Fine Works, which summed up his editing experience: “The book should not be excessively pursued in a formal and uniform manner. It is necessary to engage in the” vegetable basket project. “All kinds of dishes must be made in a disorderly and messy way. Reflect a certain spirit; do not be too much to pursue the mainstream, just as the staple food and non-staple food, the main dietary food on the table is full, the staple food tube ’prosperity’. ”I think even the magazine editors, the true meaning of this statement, . Specific to this issue, “basket project ” can be described as practiced very well: from a stylistic perspective, there is a discussion of documentary literature represented by Shanxi, as well as an analysis of Liang Heng’s prose creation cases, Prison community in recent years chaos