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纵观上海20世纪前期粤籍美术报人创办的现代美术报刊,以创刊于1926年的《良友》画报辐射面最广,影响力最强,被誉为中国现代第一本大型综合性新闻画报,而1912年创刊的《真相画报》则成为中国最早的美术类综合性旬刊。几代粤籍美术报人在上海通过画报这一大众化的报刊宣扬新美术,其影响力遍及五湖四海延续至今。通过研究粤籍美术报人在新艺术运动中的所作所为,可以更好地解读这场粤籍美术家在这场运动中的作用,给予当今美术工作者以启迪。
Looking at the modern art newspapers and periodicals founded by the Cantonese-language newspaper reporters in Shanghai in the early 20th century, the “Liangyou” pictorial, first published in 1926, has the most extensive and influential influence and is known as the first large-scale comprehensive news magazine in modern China , And the “truth pictorial” founded in 1912 became China’s earliest comprehensive compilation of fine arts. Several generations of Cantonese-language newspaper reporters in Shanghai popularized new art through the popular newspaper, Pictorial, and its influence has extended to all corners of the country. By studying the activities of the Hong Kong-based newspaper art writers in the Art Nouveau movement, we can better understand the role of this Cantonese-born artist in this campaign and give enlightenment to contemporary art workers.