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随着中国在国际的地位逐渐提升,我们的文化也随着备受关注。改革开放以来中国的电影从本土化转向对外借鉴、对外模仿以及对外盲从的一个阶段,使得我们原有的文化基础被遗忘甚至荡然无存。反观中国周边的国家,都保留着本国的传统文化,并将其融入到影视创作之中,形成固定的文化符号,在国际影坛上占有一席之地。这就对我们的影视文化建设创作提出新的要求,这就是在全球化语境下,中国电影该何去何从。
With China’s gradual improvement in its international status, our culture has also drawn much attention. Since the reform and opening up, the transition from localization to external use, imitation of externalities and blind obedience in China have left our original cultural foundation forgotten or even gone. In contrast, all the countries in China keep their own traditional culture and incorporate it into the creation of film and television to form a fixed cultural symbol and occupy a place in international cinema. This puts forward new requirements for the creation of our culture in film and television. This is where the Chinese film should go in the context of globalization.