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民间艺术通过“非遗”化获得了相应的文化资本与象征资本,从而为从文化资源转化为经济资本——展演化提供了可能性。值得思考的是,成为“非遗”的民间艺术也并不是都具备商业展演的条件。小规模展演社团具有民间自发性、小团体、经营规模小,演出目的以自我娱乐与追求一定的经济利益为主的特点。在旅游情境中,原来熟人社会中的娱乐、修身养性为目的的白沙古乐演奏逐渐让位于商业逐利。因自身经营能力不足,与那些大规模旅游展演企业、社团相比,它们更多处于生存与展演之间的困境中。
Folk art has obtained the corresponding cultural capital and symbolic capital through “non-trivialization”, thus providing the possibility of transforming from cultural resources into economic capital. Worthy of consideration is that not all folk arts that become “non-survivors” are not eligible for commercial performances. Small-scale exhibition societies with private spontaneous, small groups, small-scale management, performance purposes to self-entertainment and the pursuit of certain economic benefits-based features. In tourist situations, Baisha Ancient Music, originally designed for entertainment and self-cultivation in acquaintances, gradually gave way to commercial profit-seeking. Due to their own lack of management capabilities, and those large-scale tourism enterprises, organizations, they are more in the dilemma between survival and performance.