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一、苗戏的产生 苗戏,或称苗剧,在我国社会主义戏剧百花园中是客观存在的。关于这一剧种,由钟敬文先生题名的《中国民间文艺辞典》中,有这样的辞条:“苗剧,苗族戏曲剧种,流行于湖南、广西、云南、贵州等地的苗族居住区,是在本民族民歌、舞蹈、巫师音乐和舞蹈的基础上发展起来的,唱腔多来自苗族山歌、民歌,伴奏乐有苗笛、芦笙、牛腿琴等,剧目多为现代题材,也有根据民间故事改编的,主要有《哈迈》、《友蓉伴依》、《雄当和配利》等。”辞条中未提及苗剧的产生时间和地点。
First, the emergence of Miao opera Miao play, or Miao drama, in our socialist drama Park is an objective reality. In this drama, the “Chinese folk art dictionaries”, entitled “Miao Drama, Miao Drama Opera, popular in Hmong, Guangxi, Yunnan, Guizhou and other places in Miao Nationality Residence Developed on the basis of folk songs, dances, sorcerer’s music and dance, most of the melodies come from Miao folk songs, folk songs and accompaniments, and many are modern themes and adapted from folk tales , There are mainly ”Hamai“, ”Friends of Friends with“, ”male and profit“ and so on. ”The article did not mention the time and place Miao drama.