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进口的美术品反映了各时代日本人的审美意识和社会结构。中国美术给日本美术带来的影响在不断变化。从古代对中国文明全面的、积极的摄取态度,到有选择地只限定接受禅宗和朱子学,进而到近现代演变为对中国文化的淡漠,美术作品的进口也与这一潮流有密切的关系,随着贵族文化、禅、茶道等日本传统文化及审美意识的确立,对中国美术的吸收变成了有选择地进行,而其中一贯不变的是对避开强烈自我表现的、优雅的、细腻的绘画的偏爱。
The imported artwork reflects the aesthetic awareness and social structure of Japanese in each era. The impact of Chinese art on Japanese art is constantly changing. From ancient times, the comprehensive and positive attitude toward the Chinese civilization to the selective acceptance of only Zen and Zhu Xi, and then into modern times the indifference to Chinese culture. The import of fine art works is also closely related to this trend. With the establishment of Japanese traditional culture and aesthetic awareness such as aristocratic culture, Zen, tea ceremony and so on, the absorption of Chinese art has become selectively carried out, and the consistent one of them has been elegant and delicate to avoid strong self-expression The preference for painting.