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从2005年李杨与程光炜在《当代作家评论》开设“重返八十年代”专栏开始,现当代知识界对上世纪80年代的文学知识进行了一场大规模的反思活动。恰如程光炜所说,重返者“面对的是一个已经在大学教学大纲中变成‘文学场域’的‘80年代文学’”。①这个“文学场域”不仅包括文学政策、文学思潮、文学出版等直接作用于文学生产过程的生产性元素,也包括文学史的建构。如果说作为“文学场域”的“八十年代”不仅仅是一个时间概念,它同时还是一个文化概念,那么,迟至上世纪90年代才开始形成影响的“现代通俗文学”研究,也应该被纳入研究视野。
From 2005, Li Yang and Cheng Guangwei started the column of “Contemporary Writer Review” and started the column entitled “Returning to the Eighties”, and contemporary intellectuals conducted a large-scale introspection on literary knowledge of the 1980s. Just as Cheng Guangwei said, the returnees face an ’80’s literature’ that has become a ’literary field’ in university syllabuses. This “literary field” includes not only the productive elements that directly affect the process of literary production, such as literature and policy, literary trends, and literary publishing, but also the construction of literary history. If the ’80s’ as a “literary field ” is more than just a concept of time, it is also a cultural concept. As of late 90s, it has not yet begun to have an impact on modern popular literature. "Research, should also be included in the research vision.