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在19世纪中后期的吉他低潮中,热爱吉他的人们并没有放弃他们的挚爱,吉他艺术的发展也并没有停止脚步。相反,吉他正是在表面的平静甚至后退中磨砺了自身,积蓄了力量。从吉他演奏家阿尔卡斯(Arcas)和吉他制作家多列斯(Torres),到近代吉他之父泰雷加(Tarrega),再到泰雷加的弟子柳贝特(Llobet)和普霍尔(Pujol)等,一代大师们的努力,已经使吉他为复兴做好了一切准备。适合音乐会使用、具有卓越乐器性能的全新吉他已经产生,吉他的技术得到了改进并日臻完
During the low tide of the guitar in the late 19th century, people who loved the guitar did not give up their love, and the development of the guitar art did not stop. On the contrary, the guitar just sharpened itself on the surface of the calm and even retreat, saving strength. From guitarist Arcas and guitar maker Torres to Tarrega, the father of modern guitar, to Llobet and Pujol, Telegija’s disciples, (Pujol), etc., the efforts of a generation of masters, the guitar has been ready for the revival. Suitable for concerts, new guitars with great instrument performance have been created, guitar technology has been improved and finished