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20世纪80年代末、90年代初,随着伯明翰当代文化研究中心等具有实体性质的文化研究机构的消失,文化研究史书写中出现了一种“去中心化”趋势,澳大利亚文化研究因此屏显在了“三A轴心”帝国之中,联袂英国文化研究、美国文化研究,合力支配全球文化研究。表面上,澳大利亚文化研究获得了与英国文化研究、美国文化研究大致相同的能见度,但实际上,它所得到的是一种与遮蔽并存的屏显——屏/蔽。
In the late 1980s and early 1990s, with the disappearance of cultural institutions such as the Birmingham Center for Contemporary Cultural Studies, a “decentralization” trend emerged in the history of cultural studies. As a result, Australian cultural studies The screen is displayed in the “Three Axis” Empire, together British cultural studies, the study of American culture, together dominate global cultural studies. On the surface, Australian cultural studies gained about the same level of visibility as British cultural studies and American cultural studies, but in fact, what it got was a screen-screen / mask that co-existed with shading.