《柳堡的故事》是“十七年”电影女性意识觉醒的标志。这部影片当时就给观众耳目一新的深刻印象,主要是因为王苹这位女性导演身上有着“双性同体”的艺术思维,影片对于战争和爱情的叙事有着“双性同体”的独特意蕴。王苹在这部影片中坚持女性视角,用女性的生命体验来表现战争,使得影片能把战争和人更加完整、更加丰富地呈现出来。文艺创作需要这种“双性同体”艺术思维。尤其是对于长期以来男性话语占据中心的中国电影及文学来说,“双性同体”叙事更具有重要的启示意义。 “Liubao’s Story” is a symbol of awakening of women’s consciousness in the film “Seventeen Years”. The film gave a refreshing impression to the audience at the time mainly because Wang Ping’s female director had an artistic thinking of “sex with all his body,” and the film’s narrative of war and love has a “homosexuality” Unique meaning. Wang Ping insisted on the perspective of women in this film, with the experience of women’s lives to show the war, making the film can war and people more complete and more abundantly presented. Literary and artistic creation needs this “bisexual body” artistic thinking. Especially for Chinese movies and literature, which have long dominated male discourse, the narrative of “Androgyny” is more important and enlightening.