诗情画意的原野远山、逆流而上的鲑鱼河豚,节奏的舒缓配合画面的生命质感,营造出追寻生命的动人氛围。电影《入殓师》以颠覆性的暖调光、稳定构图以及四三拍节奏音乐的视听元素,呈现给观众一场超乎寻常的关于“生死”的思考。借助渐进性的叙事表意,影片讲述了小林大悟误入入殓师这个行业,然后渐渐对之热爱并进行了自我灵魂救赎的故事,中间穿插着对日本社会和人世百态的白描式述绘,使得影片在有层次的时代质感和丰盈立体的人物形象展示中,尽显有电影叙 The poetic landscape of the mountains, the upstream of the salmon puffer fish, the rhythm of ease with the texture of the picture life, creating a moving atmosphere to pursue life. The film “Into The Teacher” subverting the warm light, stable composition and four or three beat rhythm music audio-visual elements presented to the audience an extraordinary “life and death” thinking. With gradual narrative expression, the film tells the story of Kobayashi’s sudden mistake into the profession, and then gradually loves and redeems his own soul story, interspersed with a description of the Japanese society and the worldly narrative, so that Film in a layered era of texture and abundance of three-dimensional character image display, 尽显 movie narrative