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电影是一种能够顺畅实现跨文化交流的艺术形式,东西方文化交流和碰撞在电影艺术界表现得非常明显,也会留给人们不尽的品味和启示。台湾导演李安家庭三部曲中的《喜宴》就是一部通过家庭琐碎事件的演示来展现古老东方传统和西方文化之间的碰撞与摩擦的。本文聚焦于对于对这部电影创作的分析,来阐述在经济全球化的背景之下,电影的跨文化交流问题。
Film is a form of art that can smoothly carry out intercultural communication. Cultural exchange and collision between the East and the West are very obvious in the cinema and art industry, leaving people with endless taste and inspiration. Taiwanese director Ang Lee’s Family Trilogy’s “Wedding Banquet” is a demonstration of the clash and friction between the ancient Eastern traditions and Western culture through the demonstration of trivial household events. This article focuses on the analysis of this film creation to illustrate the intercultural communication of films in the context of economic globalization.