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龙榆生虽为疆邨老人授砚弟子,却不以师说之主流立言,而是对晚近词家‘填词必拈僻调,究律必守四声,以言宗尚所先,必唯梦窗是擬’的风气提出了最峻的批评。在此基础上,他欲取苏辛之‘逸怀浩气’别建一不,从而不仅表达出词学学科逻辑的内在认知,而且形成了对时代需求的强烈呼应。在创作层面,龙榆生高唱‘今古几词手,我自爱东坡’,并最终以笑中含泪的创作实践完成了向东坡的致敬。
Although the eldest son of the village of Yulong taught inkstone disciples, but not to say that the mainstream rhetoric, but to the recent Ci ’lyrics will be transferred, the law must keep four, Dream window is to be ’the culture of the most criticisms put forward. On this basis, he would like to take Unshiu’s Yiqihuo Qi not to build one, so that he not only expresses the inner cognition of the logic of the science of Ci-poetry, but also forms a strong echo of the demand of the times. At the creative level, Long Yu Sheng sang ’a few words in ancient times, my own love Dongpo’, and finally with tears in the creation of practice to complete the tribute to Dongpo.