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人们对于艺术家姜吉安更多的认识是从其一系列的新工笔作品开始的,但事实上从2007年的《两居室》开始,画家便在现成品上画出光影效果,尝试将光影实体化。\\\"光影\\\"视觉语言的介入,改变了工笔画过去的程式化套路,换句话说,之前没有人想到传统的中国工笔绘画形式还有这样的可能性,这样的表现力。姜吉安曾说过,在工笔画中引入\\\"光影\\\"是他试图解决工笔画内部存在的问题,告别那些程式化与套路,目的是解放工笔画。近两年当代水墨持续升温,
People began to gain more understanding of artist Jiang Ji\'an from a series of new works of art. However, in fact, starting from the \"two-bedroom\" in 2007, artists painted light effects on finished products and attempted to substantiate the light and shadow . The involvement of \"Light and Shadow\" visual language has changed the stylized routines in the past. In other words, no one had previously thought of the possibility and expressiveness of traditional Chinese style painting. Jiang Ji\'an once said that the introduction of \\ \"Light and Shadow \\\" in the work of strokes strives to solve the problems existing in the internal strokes and bid farewell to those stylized and routines aimed at liberating the work of strokes. The past two years, contemporary ink continues to heat up,