当代散文史中，杨朔以散文的诗意创造著名于世。他的散文善于以托物言志的手法、匠心独运的构思形成鲜明的特色。以历史的眼光，观照杨朔散文的审美境界，审视杨朔散文从诗意的创造到诗意失落的嬗变，会看到理性的规范对散文艺术特质的损害。真实是散文的生命。作家在否定主体“小我”而抒发“大我”之情时，无疑削弱了艺术作品的魅力和生命，这是时代赋予的烙印，是一种无奈的艺术选择。 In the history of contemporary prose, Yang Shuo is famous for his poetic creation of prose. His essays are good at using words and conscientiousness of conscientiousness and forming distinctive features. From a historical perspective, we can see the aesthetic realm of Yang Shuo’s prose, examine the changes of Yang Shuo’s prose from poetic creation to the decline of poetic meaning, and see that the rational norms impair the trait of prose art. True is the life of the prose. When the writer denies the subject “the ego” to express the feelings of “big self”, it undoubtedly weakened the charm and life of the work of art. This is a brand imprinted by the times and is a helpless art choice.