《南京!南京!》是一部兼具缺憾与可赏质的影片。缺憾在于所虚拟的日本军人视点及其故事线索过于强势,尤其是没能为代拟日本军人视点提供合理可信的日本文化依托。但影片毕竟通过这种代拟视点而跨越以往抗战影片话语,呈现出想象的公民社会语境下的跨文化对话或全球普适价值对话。其最突出的艺术公赏力恰恰表现在艺术公赏力的非常态反证上:它以想象的超级视觉奇观成功地引发了当前公民社会中公民对于全球公共伦理责任的一种共担意识和对话意识,反过来唤起人们对艺术公赏力的珍视和渴求,尽管这并非完全出自编导的自觉意图。当前艺术公赏力的实现容易遭遇障碍和困窘,从而使得包括艺术工作者和普通公众在内的国民审美与艺术素养的养成已变得迫在眉睫。 “Nanjing! Nanjing!” Is a film that combines both regret and reward. The shortcoming is that the virtual Japanese military’s point of view and the clues of its story are too strong, especially failing to provide reasonable and credible Japanese cultural support for the viewpoint of the Japanese military. However, after all, the film transcends the words of the anti-Japanese war movies through this generational perspective and presents the imaginary intercultural dialogue or global universal value dialogue in the context of civil society. Its most prominent artistic appreciation is precisely the abnormal proof of artistic appreciation: it successfully ignited the common sense and dialogue among citizens in the present civil society about the responsibility of global public ethics Consciousness, in turn, arouses people’s pride and desire for the public’s appreciation of the arts, though this is not entirely from the conscious intention of the director. At present, the realization of public art appreciation is easy to encounter obstacles and embarrassment, so that the aesthetic appreciation and artistic accomplishment of the people, including art workers and the general public, have become imminent.