关于敦煌乐谱的研究,从上世纪30年代起,专家及学者们花费了许多心血,也获得了大量具有较高价值的研究成果。对于敦煌乐谱的解译存在着不同的观点和看法,尤其对于乐谱节奏的破译有着较大的差异。本文以对陈应时先生的新著《敦煌乐谱解译辩证》读后感的形式,介绍了专著的重大学术成就和主要精神,并结合自己的体会提出了一些思考。 Since the 1930s, experts and scholars have spent a lot of effort on the study of Dunhuang music, and have also obtained a large number of research results with high value. There are different opinions and opinions on the interpretation of Dunhuang music scores, especially for the deciphering of music score rhythms. This article introduces the major academic achievements and main spirits of the monograph in the form of a post-retrospection of Mr. Chen Yingshi’s new book “Dunhuang Musical Interpretation and Dialectics”, and puts forward some suggestions based on his own experience.