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在近60年以来,板胡作为一门独立的艺术形式展现在民族器乐舞台上,在发展路程中逐步形成了自身独特的演奏流派。板胡的技法是演奏的前提要素,丰富的感情投入是演奏的灵魂,多样的风格是演奏的关键。每当我们演奏一首作品时,一个实际的声音并不是音乐的全部。音乐的技术性服务于舞台之上的表现,如何能将音乐完美的呈现给听者,让听者听懂我们所要传达的内心真实感情和审美追求,才是我们最终的目的。以此为基础,浅析板胡演奏艺术的二度创作和板胡演奏技术的运用。
For almost 60 years, as an independent art form, Banhu has been shown on the national instrumental stage and gradually formed its own unique performance genre. Banhu technique is a prerequisite for playing elements, rich emotional input is the soul of playing, a variety of styles is the key to playing. Every time we play a piece of art, a real sound is not all of music. The technical performance of music on the stage performance, how to present the perfect music to the listener, let the listener understand we want to convey the true feelings and aesthetic pursuit of the heart is our ultimate goal. Based on this, the author analyzes the second creation of Banhu playing art and the use of Banhu playing technique.