在军事美术创作日益繁荣与多样的今天,崔光武的军事题材静物系列能够给人以突出的印象和感受,显示了他油画创作中独特的迫求与成就。作为一名有着多年军旅生涯的画家,崔光武选择的静物是充满意象色彩的,它们的组合并非仅仅是形式的需要,而更注重的是物与物之间的内在联系,这是他的静物画首先在立意上高人一筹的地方。那些大刀、长矛、电台、马灯、军号、机要包等器物,既有穿越时空的历史沉厚感,又有别于博物馆中经典而高贵的陈列。在崔光武的眼里,这些具有革命文物性质的器物不仅具有缅怀的价值和意义,更是具有生命的实物。因此,他以一种极具亲和力的方式将它们呈现在画面上,让它们直接与观众对话交流。在器物的组合上,他摈弃了一些貌似深刻的对比与刻意,追求自然与平和,有一种娓娓道来的沉着与张力。表现手法上,他不以精细描绘为目标,而是采用具有表现意味的造型与用笔,提炼、概括的色彩,体现出自己内心对英雄主义的崇敬。“静”的构思与“动”的表现,使崔光武的军事 Today, military art creation is increasingly prosperous and diverse, Cui Guangwu’s military theme still life series can give people a prominent impression and feeling, showing his unique pressing force and achievement in oil painting creation. As a painter with many years of military career, Cui Guangwu chose the still life as full of images and colors. Their combination is not merely a formal need, but rather focuses on the internal connection between things, which is his still life Draw first place in conception superior. Those big knives, spears, radio, lantern, bugle, confidential packages and other artifacts, both through the history of thick sense of time and space, but also different from the classic and noble museum display. In the eyes of Cui Guangwu, these artifacts with revolutionary cultural relics not only have the value and significance of cherishing the memory, but also have the real object of life. Therefore, he presents them in a very friendly way on the screen, allowing them to communicate directly with the audience. In the combination of artifacts, he abandoned some seemingly profound contrast and intentionality, the pursuit of natural and peaceful, there is a kind of grace and calm tone. His performance tactics, he does not aim to finely portrayed, but the use of performance-style modeling and pen, refined, summed up the color, reflecting his inner reverence for heroism. “Static” concept and “move ” performance, so that the military of Cui Guangwu