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福建省22届戏剧会演中,歌仔戏《邵江海》无疑地成为众目所瞩的亮点。这不仅仅是因为它有着完美的艺术表现力,几乎可成为近年来福建戏剧舞台上不可多得的,以形式美见长的佳作;更为重要的是,它为我们提供了来自戏曲发展前沿的、代表着主流方向的诸多信息。它让我们再一次深切地感受到,中国戏曲本体形式美的大帜,在走向世界、走向未来的现在时进程中已经高高扬起。可以说,《邵》剧在舞台体现上是以一种全新的、具有独特表现力的舞台语汇,诠释了剧作文本的精髓所在,并将“以歌舞演故事”的戏曲总体特征表现得淋漓尽致,与时俱进地把戏曲舞台的表现疆域进行了延伸与拓展。
During the performance of the 22nd drama in Fujian Province, the opera “Shao Jianghai” of Taiwanese opera has undoubtedly become the highlight of all eyes. This is not only because it has a perfect artistic expression, but it can become a rare and beautiful masterpiece on the stage of Fujian drama in recent years. More importantly, it provides us with the most advanced , Representing a lot of information in the mainstream direction. Let us once again deeply feel that the banner of beauty in the form of the Chinese opera has risen in the present hour in the process of going global and going forward. It can be said that the Shao drama on the stage is based on a brand new and unique expressionist stage, which expounds the essence of the dramaturgy text and displays the overall characteristics of the drama “The Story of Song and Dance” , Advancing with the times to extend the boundaries of the performance of the drama stage and expansion.