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本文以明代沈周、文徵明、唐寅、仇英等吴门画家为中心,探讨他们山水画作中的隐逸主题,围绕渔隐和高士这两类画作展开,考察图像的历史渊源,分析吴门画家笔下图像构成的特征及特定图式隐含的寓意。
This paper focuses on the seclusion theme of Shen Zhou, Wen Zhengming, Tang Yin, Qiuying and other Wumen painters in the Ming Dynasty. The theme of this article is to explore the historical origins of the images and explore the historical origins of the images. The characteristics of the image composition and implied meaning of the specific schema.