1985年左右,以《黄土地》和《野山》为代表的中国新电影在国际上获奖,打开了中国电影海外传播的新局面,这些影片所提供的性别和民俗、情色和景观、传统和现代的杂糅叙事,成为当代西方想象中国的最初版本,并深刻地影响着此后在跨文化流通中被广泛接受的民俗电影类型的建立。鉴于《黄土地》被广泛熟知,而《野山》却鲜少有人提及,本文试图重新探讨这部影片在中国电影海外传播史上的意义和启示。 Around 1985, Chinese new films represented by “Yellow Earth” and “Wild Mountain” won awards internationally, opening up new prospects for the overseas dissemination of Chinese films whose genders and customs, eroticism and landscape, tradition and modernity ’S hybrid narrative became the first version of contemporary Western imagination in China and profoundly influenced the establishment of folk cinema genres that were widely accepted in intercultural circulation since then. In view of the fact that “loess land” is widely known, and “wild hill” is seldom mentioned, this article attempts to revisit the significance and enlightenment of this movie in the history of overseas dissemination of Chinese movies.