论文部分内容阅读
签占与戏曲的结缘是一种特殊的文化现象。两者在神庙这个特定的空间里自然相遇,密切结合。戏曲的娱神感应与签占的求神灵验,共同进行着对观赏者与求询者的征服。与签诗的签诗头相关的,多是宋元明清时期的戏曲,不论制签者在选用时依据的是自己的阅读经验,还是集体的剧场记忆,都说明这些剧目一直在盛演,它们是戏曲在民间传播的另一种证明,是一份不同的民间戏曲演出谱。签诗是具有一定文化修养的人所制,他们了解古代的占卜文化,熟悉古代的诗歌、戏曲、小说,也了解民间的心理需求,还带有江湖行业意味,所以这些签诗包含着复杂的民间智慧,具有独特的民间文化认识意义。
Registration and the opera’s attachment is a special kind of cultural phenomenon. Both in the temple of this particular space in the natural encounter, in close combination. The entertainment of the opera and the appropriation of the God seeking experience, jointly carried out on the viewer and the conqueror. Most of the poems related to signing poems are the operas of the Song, Yuan, Ming, and Qing dynasties. Whether the draftsmen chose them based on their own reading experience or the collective theater memory, they all show that these plays have been staged. They are Another proof of the spread of the opera in the folk is a different folk opera performance spectrum. Signed poems are made by people with a certain cultural accomplishment. They understand the ancient fortune-telling culture, are familiar with ancient poetry, drama and fiction. They also understand the psychological needs of the people. They also have the industrial and cultural meanings of rivers and lakes. Therefore, these signed poems contain complicated Folk wisdom, with a unique understanding of folk culture.