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一、“隔” 的艺术品格 绘画中的“隔”作为一种艺术手法在民族传统绘画中已得到普遍而巧妙的运用。“隔”在绘画中的功用表现在两个方面:一是塑造形象,二是分隔空间。宋郭熙在《林泉高致》中就提出用“隔”来塑造形象,如“山欲高,尽出之则不高,烟霞锁其腰,则高矣。水欲远,尽出之则不远,掩映断其派,则远矣”。为什么要“锁”、“掩映”和“断”呢?如果让其尽出之呢?郭氏曰:“盖山尽出不惟无秀拔
First, “separated” in the art of painting “separated” as an artistry in traditional ethnic painting has been universal and clever use. “Space” in the painting in the performance of the function of two aspects: First, create the image, the second is the separation of space. Song Guo Xi in the “Lin Quan Gao Zhi” put forward the use of “interval” to create the image, such as “mountain high, do not make it high, the lock on the waist, then high. , Set off their pie, it is far from carry on. ” Why do you want to “lock”, “hide” and “broken”? If you let it out of it? Guo said: