论文部分内容阅读
《二十四诗品》由二十四首独立的小诗组成,在看似没有清晰逻辑条理的诗论之间,其实都渗透着作者的美学理想——“自然”。本文主要研究“自然”这一美学理想在《二十四诗品》中的内涵,把握“自然”的审美追求,笔者认为核心是“真”“虚”“素”“淡”四字。它包括了“持之匪强,来之无穷”的创作手法、“素处以默”“虚伫神素”的创作心态和“真体内充”“倘然适意”的情感要求,以及“幽人空山,过雨采蘋”的空灵冲淡诗味。
Twenty-four poems, composed of twenty-four independent poems, permeate the author’s esthetic ideal - “nature ” in the seemingly no clear logic of poetic theory. This paper mainly studies the connotation of “natural ”, the aesthetic ideal in “Twenty-four Poems,” and grasps the aesthetic pursuit of “natural Prime ”“ light ”four words. It includes the creation technique of “holding the bandit strong, coming infinitely ”, “all the way to silent ” “Emotional requirements, as well as ” Youren empty mountain, rain mining Ping "The ethereal dilute the poetic flavor.