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作为农耕时代的民俗文化——春节,在现代接续中不仅保留着古已有之的传统,而且还被都市文明与外来风尚影响改造,呈现出新的面貌。与中国改革开放进程的逐步深入和现代化程度的日益提高相生相随的是,国人生活质量、欣赏趣味与娱乐休闲方式的多元化、个性化的出现。贺岁影视剧与春节电视文艺晚会的大量涌现,可谓是适应时代、适应观众、带有某种“仪式化”特征的新的民俗艺术。本刊“关注”栏目将在近几期内对2004年各地春节电视文艺晚会与贺岁影视剧的创作进行笔谈、研讨,不仅从理论上、学术上对春节电视文艺晚会的发展现状与存在价值梳理分析、探询艺术规律,而且还可窥见不同地域独特的春节民俗。
As the folk culture in the farming era - the Spring Festival, in the modern continuation not only retained the ancient traditions, but also by the urban civilization and foreign fashion influence transformation, showing a new look. Along with the gradual deepening of China’s reform and opening up process and the ever-increasing degree of modernization, there is a diversified and individualized appearance of Chinese people’s living standards, enjoyment of taste and recreation and leisure activities. The emergence of Lunar New Year film and television and the Spring Festival TV variety show can be described as a new folk art that adapts to the times and adapts to the audience with some “ritualistic” features. In this issue of “Concern”, we will make written speeches and discussions on the creation of New Year’s TV show and Lunar New Year film and television drama in various regions in recent years. This not only theoretically and academically presents the status quo and existing value of the Spring Festival TV variety show Analyze, explore the law of art, but also glimpse the unique Spring Festival folk customs in different regions.