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油画作为一种材质本身并没有国籍,但当材质当做一种媒介来表述思想和传达精神时,在中国冠以“中国油画”称谓的同时,其内涵必然与中国本土绘画理念发生千丝万缕的联系。论及载道的当代中国现实主义油画,首先需要梳理两个概念,即“现实主义”与“画以载道”。现实主义最早出现在18世纪德国的剧作家席勒的理论著作中,其后,法国画家库尔贝在绘画上提倡现实主义。绘画中的现实主义
As a material itself, oil painting has no nationality. However, when the material is used as a medium for expressing thoughts and conveying the spirit, while its title is “China’s oil painting,” its content must inevitably coincide with the concept of Chinese native painting Million contacts. As for the painting of contemporary Chinese realism, it is first necessary to sort out two concepts, that is, “realism” and “painting”. Realism first appeared in the theoretical writings of the German playwright Schiller in the 18th century, after which the French painter Courbet advocated realism in his paintings. Realism in painting