中国画既没有走向完全的写实,亦没有走向彻底的抽象,而是始终以“意象”表现为最高原则。中国画的写意性,是其一大特点,也是和西方绘画的重要区别。写意是意念的造型观,写实是求真的造型观,在对事物的观察方法和表现形式上有着根本的不同。西方艺术从古希腊、古罗马、中世纪、文艺复兴直到19世纪上半叶,一直走在写实的道路上。西方绘画的发展是与科学同步的,正是透视学、解剖学、光学等学科的发展,造就了西方艺术的科学理性精神。我们在观看由文艺复兴到浪漫主义的大师们的作品时,不能不为其严谨和惟妙惟肖所感动。写实精神给人类文明的贡献 Chinese painting did not move toward complete realism, nor did it move toward a complete abstraction, but always represented as supreme principle by “imagery.” The freehand brushwork of Chinese painting is one of its major features and also an important difference from Western painting. Freehand thinking is the concept of modeling, realistic realistic modeling concept, in the observation of things and manifestations of the fundamental difference. Western art from ancient Greece, ancient Rome, the Middle Ages, the Renaissance until the first half of the 19th century, has been on the road to realism. The development of western painting is synchronized with science. It is precisely the development of perspectives, anatomy and optics that have created the spirit of scientific rationality in Western art. When we watch the works of the masters of the Renaissance to Romanticism, we can not but be touched by their rigor and vividness. The contribution of realistic spirit to human civilization