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荒诞派戏剧产生于二战之后的法国,它以独有的创作风格和表演形式对传统的戏剧进行了大胆地突破。其主题多是表现在一个没有理性,道德沦丧,物质膨胀的世界里,人类的生存是荒诞的,无理性的。荒诞派代表作家尤内斯库在其代表作《秃头歌女》中用荒诞的方式来表现了二战之后人们精神上的空虚无助和现实世界的荒诞不经,在对现实的否定中重新审视与思考人生的意义和世界的价值,从而探究精神上的自我救赎之路。本文从荒诞派戏剧特征入手,对《秃头歌女》的语言,动作,情节,自我救赎主题进行分析,来探讨尤内斯库是怎样以戏剧为手段,用戏剧的荒诞对抗现实的荒诞,从而实现其精神上的自我救赎以及对现实的思考。
Absurd theater emerged from the post-World War II France, which used unique style of creation and performance to boldly break the traditional drama. Its theme is mostly manifested in a world without reason, morals and material expansion, and human existence is absurd and irrational. In the absurd way, the representative of the absurd genre, You Nescu, expressed in his masterpiece bald soprano the spiritual emptiness and helplessness of the world after the Second World War and the absurd reality in the real world. He reexamined and thought in the negation of reality The meaning of life and the value of the world in order to explore spiritual self-salvation. This article starts with the analysis of the drama of the absurdist school and analyzes the theme, language, action, plot and self-redemption of bald singer to find out how Younescu uses drama as a means to combat the absurdity of reality with the absurdity of drama. Its spiritual self-salvation and thinking of reality.