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文学创作是最不具有遮掩性的“欲盖弥彰”的“人格控制”活动,是最自由、最全面地表现创作主体的本质,最充分、最完满地展示其主体性的精神创作活动。文学创作的主体性首先表现为创作主体的主导性,呈现出“文如其人”的基本情状;同时也体现为创作主体的精神超越性,导致了“潘岳现象”的发生。创作主体的现实人格与其在作品中体现出的艺术人格有基本的一致性,也有某种程度的区别与距离。“潘岳现象”不是对“文如其人”的否定,而是文学创作的主体精神超越性的生动体现。
Literary creation is the most unobscured “personality control” activity of “trying to hide behind,” and is the most free and most comprehensive expression of the essence of the creative subject, the most complete and most complete demonstration of its subjective spiritual creation activities. The subjectivity of literary creation first manifests itself as the dominant force of the creative subject, presenting the basic situation of “writing as a man”; at the same time, it manifests itself as the spiritual transcendence of the creative subject, resulting in the occurrence of “Pan Yue phenomenon.” The realistic personality of the main body of creation is basically consistent with the artistic personality it reflects in the works, and there is also a certain degree of difference and distance. “Pan Yue phenomenon” is not a negation of “Wen Renren”, but a vivid manifestation of transcendence of the subject spirit in literary creation.