本文通过对桑耶寺中象征北大洲的强久斯玛吉林殿建筑和壁画的考证 ,认为该处是整个桑耶寺建筑群中保存比较完整的遗址之一 ,即墙体是建寺时的遗存 ,壁画属于公元 8世纪至 1 1世纪早期藏式佛像画风之“中原一藏式画风” ,其塑像作品出自中原的汉族艺人之手 ,体现了吐蕃时期藏民族与周边民族之间文化上的交流与友好往来。 Through the textual research on the architecture and murals of Qiangsi Sijilin Temple in the Samye Monastery symbolizing North Continent, this paper considers that it is one of the preserved sites in Samye Monastery complex, that is, the wall is the remains of the temple , Murals belong to the “Central Plains Tibetan style” style of the Tibetan Buddhist statues in the 8th century to the early 1 1 century. Their portraits come from the Han artists of the Central Plains. They reflect the cultural differences between the Tibetans and the surrounding ethnic groups during the Tubo period Exchange and friendly exchanges.