《文心雕龙.夸饰》历来被学者认为主要是谈夸张这种修辞手法,而对其与文学之间的关系少有涉及。文章试图从文本及历史两个角度出发,通过分析《夸饰》中所表达的主要思想和它的历史生成过程,说明刘勰在夸饰方面的新发现在于以夸饰为代表的语言所指向的具有积极表达意义的虚拟意向空间,并认为只有在此基础之上,才可能有魏晋文学观念的自觉。 “Wen Xin Diao Long. Quarrel” has always been considered by scholars as mainly exaggerating this rhetorical device, and its relationship with the literature rarely involved. By analyzing the main ideas expressed in Exaggeration and its historical process, the article tries to illustrate that the new discoveries made by Liu Xie in respect of exaggeration lie in the fact that the language represented by exaggeration has a positive expression Meaning of the virtual space of intention, and that only on this basis, we can have the consciousness of Wei and Jin literary ideas.