本文通过对《董夫人》的文本细读,讨论影片的女性主义特色。编导通过女性视点的选取,构建了女性观看的模式,突破了传统女性主义电影批评的相关论述。此外,本文结合“作者论”分析唐书璇的艺术风格,重点讨论丰富的视听手段在探索女性内心世界、表现女性在道德与欲望之间的挣扎的作用。笔者认为,《董夫人》具有鲜明的作者印记和实验性,是香港电影史上一部重要而独特的影片。 This article discusses the feminist features of the film by reading through the text of “Mrs. Dong”. By choosing women’s perspectives, the author constructs the mode of female viewing and breaks through the related discourse of traditional feminist film criticism. In addition, this article analyzes the artistic style of Tang Shu-hsiang with “Author’s Theory”, and focuses on the rich audio-visual means in exploring the inner world of women and expressing the struggles of women between morality and desire. The author believes that “Mrs. Tung” has a distinctive author’s imprint and experimentality, and is an important and unique film in the history of Hong Kong films.