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本文通过探讨《父亲》的戏剧风格、主题和深层文化蕴含等问题,来揭示现代戏剧的发展规律和内在精神的一致性。它代表着一种“未来的戏剧”的诞生,标志着人们对世界的观察角度和世界呈现方式的双向根本变化。
This article reveals the consistency between the law of development of modern drama and the inner spirit through the discussion of the drama style, theme and deep cultural implication of “Father”. It represents the birth of a “drama of the future”, marking a two-way fundamental change in people’s perspectives on the world and the ways in which the world is presented.