在中国当下,多元艺术格局已形成,单从架上绘画来说,从事现代主义形式语言创作的艺术家仍是主要的活跃群体。然而,我们稍一留心细究会发现,大多数艺术家是遵循西方现代主义研究线索,以人物为主体做解构的蓝本,辅以道具与场景或直接解构自然风景,提取个人对形式的需要,其目的和价值是在语言的个性特质上寻求自己明确的身份。但是,在当下人文现有的境遇中提出挑战,去用画笔建构一个近乎抽象的绘画图 In contemporary China, a multi-dimensional art landscape has been formed. For the painting alone, artists engaged in the creation of modernist forms of language are still the main active groups. However, when we look closely, we will find that most artists follow the clues of western modernism and use the characters as the blueprint for deconstruction, supplemented by props and scenes or directly deconstructing the natural landscape to extract the individual’s needs for formality. The purpose And value is to seek their own clear identity in the personality traits of language. However, in the current context of humanity presents the challenge, to use the pen to construct a nearly abstract painting