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提起陈维亚这个名字,很多人都不会陌生,这个中国舞蹈界最活跃和最有成就的编导之一,总是能弄出些大的动静。除去一系列舞蹈的经典剧目不说,从张艺谋的歌剧《图兰多》舞蹈编导到大运会开幕式的总导演,从舞剧《大梦敦煌》到《情天恨海圆明园》,哪一个拿出来不都是响当当的?而就大型舞剧来说,《大梦敦煌》无疑是中国当代原创舞剧中的一个高峰。《大梦敦煌》的“梦”字可以有很多解读。敦煌的文化是梦,那藏经洞给世人敞开的就是一个如痴如醉的梦境;舞剧中月牙与莫高的爱情是梦,那是一个被世俗粉碎却又永久流传的凄美之梦而对于陈维亚
Mention the name of Chen Weiya, many people are not unfamiliar, the Chinese dance the most active and most accomplished director, always able to make some big movement. Excluding a series of classic dance repertoire, from Zhang Yimou’s opera “Turandot” choreography director to the opening ceremony of the Universiade director, from the dance “Dream” to “love the sky hate Yuanmingyuan,” which one out Are big fans? And for large-scale ballet, “dreams of Dunhuang” is undoubtedly the Chinese contemporary original dance drama in a peak. “Dream” of “Dream” can have a lot of interpretation. Dunhuang culture is a dream, that possession of the cave opened to the world is a mesmerizing dream; dance crescent moon and Mogao’s love is a dream, it is a worldly crushing but perpetually handed poignant dream for Chen Weiya